Well it all starts rather inauspiciously with Barbara Windsor singing the Lionel Bart penned title song. Good? Well, no - not very. Thereafter we discover that she ("Maggie") used to be married to "Charlie" (James Booth) who has just returned from being at sea. Thing is, their marital house has been demolished and she has moved on to a new life with bus driver "Bert" (George Sewell) and he is dete... Read more
Well it all starts rather inauspiciously with Barbara Windsor singing the Lionel Bart penned title song. Good? Well, no - not very. Thereafter we discover that she ("Maggie") used to be married to "Charlie" (James Booth) who has just returned from being at sea. Thing is, their marital house has been demolished and she has moved on to a new life with bus driver "Bert" (George Sewell) and he is determined to get her back. The whole thing has a made for television look to it and though there is a formidable array of British comic acting talent on display, I found the writing to be really weak with the limitations of Miss Windsor as an actress being writ large as she really struggles to carry this (very lightly) comedic enterprise - riddled with innuendo and stereotype - for ninety minutes. It perhaps doesn't help that the narrative centres around life in a fairly pedestrian East End (of London) community and that after a short while there are so many suds you could run a Chinese laundry for a fortnight. It may well have resonated better in 1963 when it offered a plausible depiction of life in a small, tightly knit, community within a big city, but I am afraid now it has lost what potency it had. Cinema nostalgia it probably is if Cockney is your natural dialect. For the rest of us, it's just all rather dull.Show less
