**An excessively preachy film, aimed at more devout audiences.**
It really costs being a historian when we feel like watching a film based on historical facts. We never manage to take off our academic attire and enjoy it, we see errors and inaccuracies where no one sees anything special. And this is tiring. When the film has a biblical theme, things tend to get worse. And what we have here is o... Read more
**An excessively preachy film, aimed at more devout audiences.**
It really costs being a historian when we feel like watching a film based on historical facts. We never manage to take off our academic attire and enjoy it, we see errors and inaccuracies where no one sees anything special. And this is tiring. When the film has a biblical theme, things tend to get worse. And what we have here is one of the weakest biblical films I've seen in a long time.
Based on solid material extracted from Paul's letters and the book of the Acts of the Apostles, the film seeks to show us a little of Paul's life as a preacher and Christian leader, focusing on the events that followed to the burning of Rome in 64 AD, and showing the rest through episodic flashbacks. The film starts from the correct presumption that the majority of its public is aware of the events and knows who was Paul. And in fact it is difficult to imagine any well-informed Christian who do not recognize the decisive action of this leader: initially, he was a pagan and helped the Jews to persecute the Christians, whom they considered a schismatic sect of their faith. Later, he became one of the defining figures of the early period of the Christianity, and was fundamental in bringing it to other races and peoples, definitively separating Christians from Jews. Tradition tells us that he was killed in Rome shortly after the fire, which Emperor Nero attributed to the fanatical actions of the city's Christians.
The film is not bad, but it could have made a better effort to capture Paul's preaching and action among other leaders: there is no mention, for example, of his participation in the first ecumenical council. Nero does not appear, but we see Roman repression in vibrant and exaggerated colors: although Roman chroniclers provided colorful descriptions of the massacres of Christians, it is known that such reports were exaggerated and archeology has never confirmed such ferocity. It was also difficult for me to see how the Mamertine Prison was transformed into a modern penal colony, with strong walls, guards and gates. Anyone who barely knows Rome, and has visited what remains of this place, knows that it was a small prison, used in temporary situations, and that Romans were not in the habit of having large prisons, preferring to send criminals to galleys, quarries and other forced labor: much more practical than feeding lots of prisoners who do nothing all day, the Romans would say. The film also places Luke with Paul in Rome, which doesn't make sense: we know they knew each other and cooperated, but it seems unlikely that Luke would stay calmly in Rome, and in full view of the authorities, after Peter and Paul's arrest.
The general atmosphere of the film is somewhat preachy, and resembles a long Easter sermon, which will greatly displease audiences who are less devout or practice their faith. I didn't have any major problems with it, but I also preferred a different approach that was more likely to please a generalist audience. I don't know if the film was financed by a church or something, but that could very well have been the case. James Faulkner is effective in the role of Paul, Olivier Martinez does what he can in a role in which he has to be unpleasant and Jim Caviezel is clumsy and not very interesting in this effort, the second in his career in which he addresses biblical themes.Show less
